“Forth Wanderers” already displays an enormous amount of maturation since the band’s earlier work, and brings much-needed vitality and ingenuity to the indie rock scene.
“Garbáge: An Artistic Wasteland,” which showed at the Hop Garage over the weekend, featured works incorporating trash as a primary medium and theme, examining global struggles with pollution and waste management.
The newest exhibition at the Black Family Visual Arts Center presents an array of works students have produced over the years at the Book Arts Workshop, tucked away in the basement of Baker-Berry Library.
White’s newest album “Boarding House Reach,” released last Friday, is a convoluted imbroglio that mashes unwanted sounds and time signatures together and provides few redeemable moments.
Tonight, the Hopkins Center for the Arts will host the world premiere of “Qyrq Qyz” (“Forty Girls”), a multimedia reanimation of a Central Asian epic that recounts the epic of a young woman, Gulayim, who defends her homeland against foreign invaders alongside 40 other female warriors.
If you’ve been out of the obscure and cultish garage punk loop, you have probably never heard of Superchunk.
Last Friday, alternative rock band MGMT released “Little Dark Age,” its first album since 2013.
Some of Dartmouth’s most talented singers will participate in Dartmouth Idol’s semifinals tonight at Spaulding Auditorium in the Hopkins Center for the Arts.