Cook explores the real way to measure relaxation: how many chairs are available?
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Cook explores the real way to measure relaxation: how many chairs are available?
I am writing this commentary as a reaction to The Dartmouth’s editorial piece, “Verbum Ultimum: Open The Playground,” published on May 11, 2018.
I have recently seen signs around campus proclaiming the phrase, “Unenthusiastic consent is not consent.” It is imperative, and in the best interest of all students on this campus, to demonstrate why this saying is extremely problematic. Although catchy, this contradictory statement creates subjectivity around what actually constitutes “consent,” since the expression of enthusiasm is not objective. Consequently, cases could arise in which one accuses another of a crime as serious as sexual assault simply because although the first person said “yes,” and the second person took that as their word, the first person wasn’t genuinely enthusiastic about it.
“Live authentically.” That’s such a common thing to hear, and it’s something most people likely believe. People tend to think of themselves as genuine, and everyone constantly hears how they should explore their interests, develop their passions and otherwise form an independent identity. People seem to know that they should stand up for what they believe in. They understand that they shouldn’t define themselves by a stereotype. But unfortunately, at Dartmouth, students often ignore that.
Colleges breed social activism. Thousands of young people from every corner of the country and beyond live together on one campus, bringing with them unique perspectives on issues both personal and political. In this melting pot of opinions, viewpoints collide to create either unity or tension, and movements take root under the leadership of inspired activists. Students arrive here bursting with ideas that they’ve brought from back home, many of them eager to share these ideas with their new community. They’re fueled further by an expansive liberal arts education and exposure to all kinds of new people. Perhaps most importantly, perceived injustices within the very institutions people attend motivate them to create change at the local level.
When Eric Libre ’85 arrived for his first year at Dartmouth in 1981, he found a school that was outdoorsy, down-to-earth, health-focused and thoroughly Greek. He absorbed all he could in his 150-student pre-medicine lecture classes while the biology and chemistry majors around him furiously scribbled their notes. But Eric Libre wanted more from his Dartmouth experience than what a one-dimensional focus on STEM could offer him. He pursued his passions in the humanities, socratically engaging with the origins of modern culture through history and Italian. He worked hard, using his D-Plan to secure off-campus work and research opportunities at the National Institute of Health and at local hospitals. When it came time to pick a major on his premed track, Eric Libre excitedly told the biology department head of his plans to combine STEM and the humanities through a new bioethics major — the professor told him he “wasn’t sure that fits” under premed. Under pressure but unwilling to give up on a liberal arts education, Eric Libre majored in history modified with Italian before heading to a top medical school in 1985.
Society dictates the ideal body. For women, it’s thin with luscious hair. For men, it’s broad shoulders with lean muscles. And for students at colleges with deep athletic traditions, the pressure to have an “ideal” body intensifies because so many people are physically fit. As Michaela Artavia-High ’21 noted in her recent Mirror piece, “Buff: The Ideal Male Body,” the connection between the demands of athletics and body image adds a layer of complexity to how everyone, including non-athletes, views themselves.
Every moviegoer intuitively understands why movie theaters charge high concession snack prices: because they can.
A few months after I turned 17, I dragged my mom with me to the crowded Harlem Department of Motor Vehicles in New York City. After three hours of waiting and a disturbingly easy test — think, “What does a red octagonal street sign mean?” — we made it to the front of the line, where I received my learner’s permit. Since I was to turn 18 before the end of that calendar year, the DMV employee recommended that I register to vote while I was there. I considered myself liberal and my parents were Democrats, so without much deliberation or discussion, I became a registered member of the Democratic Party in New York.
I don’t mean to open old wounds, but it’s time to have a conversation about the 2016 election and its media coverage. In an age when various kinds of media have more influence over political campaigns than ever before, the 2016 election stands out. The vast and particularly damning negative coverage of Donald Trump, which did little to slow his campaign, seems to be reflective of an era during which the conventional wisdom of “no coverage is bad coverage” is correct. If this is true, how should the public consider and value the media coverage of campaigns, and to what extent do politicians themselves now play a role in creating their own press?
Phones are windows to a digitized world, and people are on either side. The beat of a finger tapping is staccato, like a modern-day attention span. Memory has become a camera that is never turned off. Meet the Millennials.
I want to be rich. There, I said it. I am at this school because I love the people here, I love the opportunities afforded to me here and I love the things I am learning here, but I am primarily here because I expect a high rate of return on my Ivy League education.
Link examines some of the College’s most tightly-knit organizations.
On Apr. 6, Dartmouth students “Took Back the Night.” Social spaces were asked to close in solidarity with survivors of sexual violence. All of them said they did. (While walking home I witnessed a group of guys run loudly into a fraternity shouting, “We’re gonna be late for our pong tourney!” I will let you speculate which fraternity it was.) While many community members took hosting events such as movie screenings, discussions and a march seriously, most saw Apr. 6 as a forced “dry night.” What do we have to show for it a month later?
For students considering pursuing a career in either the government or nonprofit sectors, the Public Service Loan Forgiveness Program may seem ideal. For example, the average medical student’s debt is $190,000. But as over 75 percent of hospitals are public or nonprofit, 95 percent of these loans are eligible for forgiveness under the Public Service Loan Forgiveness Program. Teachers, Peace Corps workers and many other professionals are also eligible.
Fifty years ago, the Dartmouth student body was completely male. In typical Dartmouth fashion, there was resistance to change. But with considerable effort over the years, that demographic has changed: since 2012, the student body has had equal representation of both genders. To this day, Dartmouth continues to redefine what it means to preserve tradition without excluding deserving students on the basis of race, gender and socioeconomic background from the opportunities of a Dartmouth education.
Lincoln depicts what support looks like.
My favorite YouTube channel is “i’m cyborg but that’s ok,” named after a 2006 South Korean romantic comedy film called I’m a Cyborg, But That’s OK directed by Park Chan-wook. The YouTube user edits feature-length films, mostly independent Asian or French new-wave cinema, down to two to five minutes and pairs the visuals with a song. Similar YouTube users who are less careful about acknowledging content rights have had videos removed. There is an art to splicing and editing, and copyright law should take into account the value of using found footage to allow for reflections of the fragmentation and intertextuality of modernity. YouTube edits create an aesthetic of transnational, transtemporal coolness — little-known gems of art from different parts of the world and different times that come together through a shared emotional core.
Velona ponders how art might be affected by the current moment.
There is certainly something endearing about the notion of a group of geographically-disparate nations coming together to perform broad values-based activities. And against a growing trend of inward-looking nationalism, the Commonwealth of Nations certainly has a distinct appeal. However, although it should presumably be considered a paragon of grand multilateralism, the Commonwealth is effectively powerless in its current state. The organization puportedly has two aims: advancing democracy and human rights and aiding economic development. It struggles to do either, and it must be reformed for there to be any reason to keep it.