Lincoln: Defiance
Lincoln contends that in order to defy conformity, one must find its opposite.
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Lincoln contends that in order to defy conformity, one must find its opposite.
BDSM is a topic of fascination that has been rising bit by bit outside of the shadow of stigma in recent years. With videos like Buzzfeed’s “Couples Try Bondage For The First Time,” released two years ago, and “I Became A Dominatrix To Control My Anxiety,” released just a year and a half after — with plenty of other tangentially related videos in between — it’s clear that BDSM is no longer something people are ashamed of talking about. If anything, kinky has become cool, and there’s a large market of people who want to know more.
It’s a recurring theme in discussions amongst Vampire Weekend fans that their albums correspond to seasons. Their self-titled debut album, full of perky strings and New England imagery, is reminiscent of a collegiate fall. Their sophomore effort, “Contra,” with its bright synths and upbeat tempos, brings to mind a sunny summer day. And “Modern Vampires of the City,” their third album, is the definition of wintry, with its black and white cover and its existential, morbid themes.
I’ve never thought much about how art is moved. We can carry small pieces or move them on a cart, but what about the massive ones? Like “Guernica” or “Water Lilies” or “Hovor,” a piece on display in the new Hood Museum of Art? The answer: a massive elevator, one story high, that could fit at least eight normal elevators inside it. This is my first point of contact with the inner workings of the Hood Museum of Art.
In the days before this year’s Green Key concert, The Dartmouth sat down with Eli Sones, one half of the LA-based DJ group Two Friends, best known for their extensive collection of “Big Bootie” mixes. A Los Angeles native and long-time music lover, Sones began pursuing music seriously while in high school and has continued evolving artistically ever since. Working alongside his childhood bestfriend and fellow DJ-Producer Matthew Halper — the other half of Two Friends — Sones has learned a lot about the importance of connection and cooperation throughout his musical career. Over the course of the interview, Sones shared his insights as a musician who is well-versed in collaboration and creation.
This year, Waka Flocka Flame, Two Friends and MAX will headline the Green Key concert. Read below for profiles on these artists — and what students should expect to see at the concert tonight.
Amidst the starving masses, Tumurbaatar captures the chaos of the Dartmouth lunch hour.
In 2002, the Hood Museum returned a Tlingit Chilkat shirt to southeast Alaska. The shirt, which was said to have been made before the 1880s, had been in possession of Axel Rasmussen, the superintendent of schools in Wrangell, AK. After his death, it found its way into the possession of a New York City art dealer, and when it was not sold, it was donated to Dartmouth in 1959.
“Pokémon Detective Pikachu” is without a doubt one of the most bizarre ideas for a mainstream, Hollywood family film that I’ve encountered in recent memory. To be clear, I’m not referring to the basic notion of adapting the hugely popular Japanese multi-media franchise into a live-action American film. “Pokémon” is so ubiquitous at this point that even if you’ve never really experienced it –— as is the case with me — you’ve almost certainly at least heard about it through cultural osmosis. Moreover, that ubiquity practically transformed into notoriety with the 2016 release of the augmented reality game “Pokémon Go,” of which, again, you’ve almost definitely heard.
For Stephanie Everett ’19, her career on stage far predates her recent roles in the Dartmouth productions of “Eclipsed” and “Into the Woods.” Rather, it dates back to her fourth-grade talent show, in which she and four other girls performed “Hard Knock Life” from “Annie” complete with props and choreography. According to Everett, her passion for theater grew from that day on; she participated in musicals throughout middle school and high school, where she said she found a serious program with a dedicated teacher.
In her nineteenth chapter of "Mixed from Main," Morin says that cell phones know when we have had mid-terms.
At some point, every person has felt pressure to live up to some kind of expectation to fulfill a role and project an external image of ourselves to others.
Kelleen Moriarty ’19, the student director for the upcoming production of “The Glass Menagerie,” has been involved in theater since she was in middle school. According to Moriarty, when she first came to Dartmouth, she knew that she wanted to major in theater and eventually pursue it professionally, since theater was “the one thing” in her life she was “very sure” of.
Kareem ponders what to do with the mess outside of her door.
With the release of her new single “ME!” this past April 26, Taylor Swift has evolved once again. A bubbly and bright pop song, “ME!” marks Swift’s departure from the mood of her previous album, the inspired and aggressive “reputation,” and her persona’s transformation to the glaringly upbeat and pastel imagery of “ME!”
The film “Gloria Bell,” written and directed by Sebastián Lelio and starring Julianne Moore as the eponymous main character, is a meandering slice-of-life film beautifully unfolding what can only be called a coming-of-age film, only later in life. Gloria, the titular protagonist, is divorced, has an ordinary job and entertains herself by dancing in various nightclubs across Los Angeles and having unextraordinary interactions with her adult son and daughter. All of a sudden, a new romance blossoms for Gloria when Arnold, portrayed by John Turturro, picks her up at a nightclub. The two spend the night together and, at first, the relationship seems over just as quickly as it started — infinitely unimportant to Gloria. Her life is interesting with or without a lover, laced with subtle and grand disappointments such as her son’s wife abandoning him and their son, her daughter’s relationship with a Swedish big wave surfer, her work best friend’s imminent firing and her own mother squandering all the money left by Gloria’s father. The film treats such events with mundanity, as they are, after all, just parts of life. When Arnold calls Gloria to invite her on a date, it is clear she has forgotten him as much as the audience has, since she is caught up in her own life. We see Gloria answer the phone and respond, softly puzzled, “No, I’m not mad. Why would I be mad?’ Her nonchalance demonstrates her own self-contentment in life, based on a self-worth not rooted in someone else’s love or approval.
Warning: The following article contains spoilers for the film “Avengers: Endgame.”
Dedicated to all the parents who may or may not witness shenanigans on Webster Ave. this weekend.
It’s been almost four years since Cage the Elephant released their Grammy-winning album “Tell Me I’m Pretty,” and in that time, frontman Matt Shultz suffered the shocks of a tumultuous life . He endured a divorce from his wife Juliette Buchs along with the suicides of two close friends , and that despair became the impetus for Cage’s fifth studio album, “Social Cues,” released on April 19.