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Returning to Dartmouth after performing a solo concert in 2011, Grammy Award-winning jazz guitarist and composer Pat Metheny will grace Spaulding Auditorium’s stage for a lively show on Saturday. This time, he will be leading and playing as a member of the Pat Metheny Unity Group, a five-man troupe consisting of Metheny, saxophonist Chris Potter, drummer Antonio Sanchez, bassist Ben Williams and all-around performer Giulio Carmassi.
Documentary films and found footage films involve incredibly disparate processes. While documentaries are based on presentating fact, found footage films are based on distorting and altering pre-existing footage. Where one is logical and informative, the other is whimsical and entertaining. Tonight, two film classes — Film Studies 30, “Documentary Videomaking,” and Film Studies 47, “Found Footage” — will screen their term projects in Loew Auditorium.
Though Katelyn Onufrey ’15 considered attending a music conservatory or specialized musical theater program, the theater major and sociology minor said she chose Dartmouth because she realized she “liked other things too much to give them up.”
Three-time Latin Grammy Award winner Diego El Cigala takes the Spaulding Auditorium stage this evening to perform music from his newest album, “Romance de la Luna Tucumana” (Romance of the Tucumana Moon). The album includes influences from Argentine and Cuban musical traditions as well as Spanish flamenco and Afro-Caribbean jazz.
Writer, poet and yoga instructor Diana Whitney ’95 juggles writing and teaching yoga as owner of the Core Flow Yoga and Sport studio in Brattleboro. Her first book of poems, “Wanting It,” was published earlier this year, the product of 15 years of work.
Why do we watch music videos? Are they just advertising, or can they tell an insightful narrative?
How much would you spend on a white painting? $10? $100? What if your best friend spent $200,000 on a monochromatic painting — would you tell him what you thought?
The Space Race pitted the Soviet Union and United States against each other in a battle for space supremacy, spanning 17 years and leading to innovations in satellite technology, computers and space transport. The race also helped to bankrupt the Soviet economy.
One door separated the stage into two rooms and two worlds. Dr. Givings’s operating room, where he treats women for hysteria using an electrical vibrator, took up one side of the stage, while the living room, most often depicting Mrs. Givings and her relationships, existed on the other.
Complementing the iconic music of French composer Gabriel Fauré with spirituals and Spanish works, the Dartmouth College Glee Club will perform a diverse concert in Rollins Chapel on Sunday.
The Dartmouth Symphony Orchestra aims to channel the invigorating energy, splendor and emotional of classical masterpieces in its Saturday performance, even as the paralytic chill of winter besets New England.
“You don’t understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let’s face it.”
Combining the rhythmic energy of drumming with the emotive power of spoken word, the World Music Percussion Ensemble will play a cross-disciplinary concert inspired by prevalent social issues like racial and gender equality on Wednesday.
Though researchers are only beginning to understand the connection between art and stress reduction, Dartmouth-Hitchcock Medical Center has displayed artworks by local artists since the 1980s, when it was located in its previous Hitchcock Memorial Hospital facility.
It’s that time of year — college seniors all over America are realizing that in fewer than 10 months they will be expected to morph into responsible adults who have ... jobs?
In elementary school, a peer at school said to Nana Adjeiwaa-Manu ’16, “Your food looks nasty.” It was kontomire, a traditional Ghanaian stew.
The Rude Mechanicals began its rendition of “Macbeth” on Halloween night with swords clashing and witches raving. The student group, which runs one Shakespearean play per term, produced a shortened version of the famous Scottish tragedy on Thursday and Friday.
For students without a car on campus, how does one spend the day skiing at Killington or watching a baseball game at Fenway Park? James Furnary ’16 and Ryan Buckvar ’17 aim to solve this problem with BusMe, an event-driven bus transit service that feeds upon a crowdsourced market.
Any film that designates itself a “zom-rom-com,” or zombie romantic comedy, must suffer from an identity crisis. To wed the gratuitously overused zombie and rom-com genres is parody itself, and it’s not surprising that such a film’s audiences might try to divorce the viewing experience from their minds.
Music and theater will converge when the Dartmouth College Wind Ensemble and Rude Mechanicals present a joint tribute to the 450th anniversary of the Bard’s birth. Titled “Play On! Shakespeare Set to Music,” the program will splice readings of Shakespeare text with music that he inspired.