Use the fields below to perform an advanced search of The Dartmouth 's archives. This will return articles, images, and multimedia relevant to your query.
1000 items found for your search. If no results were found please broaden your search.
The audition process can cause even the most confident and experienced performer, such as those who auditioned last week for the theater department’s production of the Tony Award-winning satirical musical “Urinetown,” to descend suddenly descend into a vortex of self-deprecating, worst-case scenario concerns: my hands are so sweaty, I’m going to damage everything I touch and get blacklisted by the Hop. I’m so nervous, I’m going to accidentally start singing the alma mater instead of my audition piece, and I won’t be able to stop until I get through the whole thing.
Aditya Shah ’15, now professionally working as an inbound sales consultant for HubSpot in Cambridge, Massachusetts, still finds time to make waves in the music world.
Oliver Caplan ’04 is a professional composer who graduated from Dartmouth with a double major in music and geography, and served as president of the marching band.
“To Be Without You,” Ryan Adams, “Prisoners”
Who would have thought that the most impressive science fiction film of 2016 would not be “Rogue One: A Star Wars Story” but instead Denis Villeneuve’s thought-provoking, psychological and deeply moving “Arrival.” Villeneuve has already proven himself to be an extremely talented director with films like “Incendies” and “Sicario.” Despite this, I was skeptical when early reviews called “Arrival” a new sci-fi masterpiece. Good films have a tendency to buckle under the weight of tremendous hype, and I was nervous that Villeneuve simply wouldn’t be able to live up to the mammoth expectations being set by the film’s early admirers. Yet somehow “Arrival” surprised me, finding a way not to meet my expectations but instead surpass them and engage me on both an intellectual and emotional level.
Ever wonder about the sculptures around Dartmouth's campus? Learn about the significance behind them, and what students think they mean, on a campus tour with our arts writers. Click here to explore.
As a former film evaluator for HBO, author of “The 50 Movie Starter Kit: What You Need to Know if You Want to Know What You’re Talking About,” and former chief video critic for Entertainment Weekly, Ty Burr ’80 is a prominent player in the world of film criticism.
This past Thursday and Friday, a 40-person audience visited the brightly-lit cafeteria of Valley Vista, a drug and alcohol addiction treatment center in Bradford, Vermont. Women undergoing treatment in the center covered the room in motivational cardboard posters in preparation for “The Cleansing Tears of Our Temporary Yesterday,” a performance put on by both Dartmouth students and women recovering from addiction.
This Saturday, the Villiers Quartet and music professor Sally Pinkas will bring the sounds of Britain across the centuries to Rollins Chapel in a four-piece program.
The Sing Dynasty, a coed a cappella group, will perform in the biggest Dartmouth show of their a cappella careers this upcoming Saturday.
“Game Changers” by Winterhill opens with a gritty guitar riff and delves into a string of infectious melodies and clever lyrics ripe with social commentary and angst.
The Dartmouth Glee Club’s fall concert transported the audience to the 1960s in Greenwood, Mississippi, listening to Booker Wright read off the menu is his famous sing-song way.
At Dartmouth, the Center of Professional Development is closely associated with corporate recruiting in the minds of students. For students seeking careers in the performing arts, the path to finding opportunities is often a more creative one. Students sometimes use the CPD, but also rely on academic departments.
Five minutes. That’s how long it took for “The Girl on the Train” to completely bore me. Thirty minutes. That’s about how long it took for me to guess the twist ending for “The Girl on the Train.” Though for the sake of transparency, I should clarify. I had actually guessed the twist within the first few minutes, but at about the 30-minute mark I changed my mind and this second guess turned out to be correct. Incidentally, my initial guess would have made for a far more interesting film. “The Girl on the Train” probably isn’t the worst film I’ve seen all year, but thus far it’s certainly the best example of wasted potential.