1000 items found for your search. If no results were found please broaden your search.
In the sculpture studios on the first floor of the Black Family Visual Arts Center, students’ erratic, twisting sculptures line the room’s perimeter like suspended dreams. Anatomical skeletons patiently wait to inspire and guide the next class. A huge sculpted hand emerges from a table nearby, outspread as if in expectation, and across the room a life-size cardboard figurine is splayed face first on a table in a sadly relatable facsimilie of a student passed out while studying.
Just two years after graduating from Dartmouth with a self-designed major in digital arts and media technology, Michelle Khare ’14 has found success in the world of internet video. She currently works at BuzzFeed and has 150,000 followers across various social media platforms.
Piracy is often viewed as a victimless crime. The months film editors tediously spend editing a movie and the long hours singers spend in recording studios are neglected for the instant gratification experienced when downloading digital works right as they hit the market. Content creators can suffer from illegal downloading or file-sharing because they do not receive proper compensation for their work.
Although she is perhaps most well-known around campus for singing with the Rockapellas or as this year’s Dartmouth Idol winner, Grace Carney ’17 began her musical career as a drummer. Sort of.
After seeing “Son of Saul” (2015) at the Telluride Film Festival, I witnessed director László Nemes correct renowned Holocaust film scholar Annette Insdorf, who likened his film to “Schindler’s List” (1993). To Nemes, “Schindler’s List” focused on some 3,000 survivors amongst 12 million casualties and absurdly romanticized the Holocaust. This absurd portrayal of an already absurd era normalizes and renders cloyingly palatable this horrific past.
Kimberly Marable ’05 graduated from Dartmouth with a major in theater modified with sociology. After graduation and a brief internship at Northern Stage, she moved to New York City and has performed in a number of national tours of Broadway productions, including “Hairspray” and “The Book of Mormon.” She is currently performing in her second Broadway show, “The Lion King.” She co-founded and co-directs an organization called Broadway Serves, which coordinates community service projects involving members of the professional theater community.
Tucked away in a corner on the second floor of the Black Family Visual Arts Center, the animation studio serves as a place for the imaginative and creative to stretch their minds. Film and media studies professor Jodie Mack has created a studio unlike the typical blackboard-lined classroom with rows of desks.
Amara Ihionu ’17 found her passion for art while trying to fulfill a distributive requirement. After taking “Drawing I” her freshman spring, she realized she wanted to explore more of what the department offers and decided to take “Painting I” and “Photography I” her sophomore year. Now, with more than enough studio art credits to her name and experience that includes multiple mediums within the department, she has embraced her major in studio art.
Walking into Belgian artist Erik van Hove’s exhibit in the Hopkins Center’s Jaffe-Friede Gallery, one is taken aback by the intricacy of the large, mechanical looking piece that takes up most of the center of the gallery. A team of Moroccan craftsmen created the reproduction of the Mercedes V12 engine. The piece is a behemoth of wood, bone and engraved metal.
Last Friday night, the lights in Sarner Underground illuminated the stage with mood-setting hues as Grace Carney ’17, member of the Rockapellas and winner of Dartmouth Idol 2016, took the stage along with her band Grace and the Carnivore to headline a Friday Night Rock show that featured a trio of Boston-based alternative bands. FNR, a student run organization that works to bring alternative music acts to campus, have welcomed notable past performers such as Danny Brown, Titus Andronicus, The World Is a Beautiful Place and I’m No Longer Afraid to Die, Of Montreal, The Mountain Goats and The Front Bottoms.
With Leo officially in the Oscar record books, we can all rest easy. But it took “The Revenant” (2015), a film plagued with budgetary problems, threats of hypothermia, cast injuries and a fired producer to get him there. Alejandro González Iñárritu has a history of torturous films (“Biutiful” (2010) and “Birdman” (2014)) that study the processes of human will and endurance. His films are inflections of this central theme, and “The Revenant” applies his aesthetic to the 1820s American frontier, before Manifest Destiny was a national rallying cry and the road to expansion was paved in blood.
Although predominantly known for his collaborations with Kanye West, Chicago-based rapper and songwriter Che “Rhymefest” Smith takes a different approach to rap than his former collaborator, focusing more on philanthropy, emotional intelligence and the value of family. Dartmouth students and community members experienced Smith’s approach when he visited the College for the Hopkins Center’s screening of the documentary film “In My Father’s House” (2015) this past Thursday. Smith is known for co-writing the Grammy award-winning song “Jesus Walks,” from Kanye West’s album “Yeezus,” and the Oscar and Golden Globe award-winning song “Glory,” from the film “Selma” (2014).
Good things often come in pairs. Such is the case for Dartmouth alumni Tom McArdle ’91 and Matt Heineman ’05, who were both nominated for Oscars this past year.
The dancers of Companhia Urbana de Dança moved dynamically around the stage Monday night, smiling and interacting with one another as they performed complicated steps combining hip hop and other styles of dance. The mixture of styles including contemporary street style and capoeira, a Brazilian martial art dance form, is what makes Urbana so unique and exciting to watch.
It’s not everyday that one may hear or recognize the work of Johann Sebastian Bach at a vocal performance, let alone at an a cappella performance. However, this unexpected twist on singing classical pieces using vocal harmonizing is exactly what characterizes the Swingle Singers, a five-time Grammy-winning a cappella group, who will be performing tonight in Spaulding Auditorium.
The current renovations of the Hood Museum recently stirred up controversy. The $50 million renovations are scheduled to be completed in January 2019 and focus on expanding and creating new spaces. Conflict has arisen over the efforts to harmonize new additions with the vision of Charles Moore, the original architect.
After the success of the hand-held, alien invasion blockbuster “Cloverfield” in 2008, producer J. J. Abrams shaped its blood relative “10 Cloverfield Lane” (2016) to exist in the same apocalyptic universe. But the film seems patently devoid of aliens; rather they are a backdrop or suggestion, and what we get instead is a tight, chamber thriller in which alienation becomes the central horror.
Based in Los Angeles, Clara Aranovich ’07 has worked in the film industry primarily as a writer, director and actress but has credits as a video editor, producer, cinematographer, camera assistant and sound editor as well. Her latest projects include acting in “Yosemite” (2015) starring James Franco as well as writing, directing and acting in “Primrose” (2015), a short film that was nominated for the SXSW Grand Jury Award.
While Charli Fool Bear-Vetter ’15 is known for her powerful singing voice as a member of the Rockapellas and as a 2015 Dartmouth Idol runner-up, she credits playwriting as the medium that helped her discover her literary voice. Fool Bear-Vetter, a theater major, was named first runner-up on March 22 for her play “The Crickets Ate the Moon” in the inaugural Yale Indigenous Performing Arts Program playwriting contest. Yale senior Reed Adair Bobroff placed first with his play “A Fraction of Love.”
When Samantha Knowles ’12 began her journey at Dartmouth College eight years ago, she had her eye set on majoring in film and media. Not only did she achieve that goal, but she exceeded it, graduating with degrees in psychology and film and media studies. Knowles has transitioned into working in the film industry thanks to her short documentary “Why Do You Have Black Dolls?” (2012), which received the 2012 Reel Sisters Film Festival Spirit Award and the 2013 Women, Action & the Media (WAM!) Film Festival Audience Award. As an associate producer, she has worked on several films including “Meru” (2015) and “Incorruptible” (2015), a film about the 2011 Senegal crisis.