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This Friday and Saturday, the Dartmouth Dance Ensemble will showcase the choreography that it has been rehearsing all year in its spring performance, “Steps and Sounds.” While the ensemble offered a sneak preview of this weekend’s show in its winter works-in-progress performance, this weekend will be the first time that the public can view the culmination of a year of choreography and rehearsals. The Dartmouth Dance Ensemble, directed by John Heginbotham, is the sole professionally-run dance ensemble on campus.
Screenwriter and novelist Kamran Pasha ’93 Tu’00 majored in religion at Dartmouth before working as a financial journalist on Wall Street, attending Cornell Law School and graduating from Tuck School of Business.
While the performance aspect is often regaled as the climax and culmination of a dancer’s hard work, choreographer and dancer Angie Lee ’17 has a different perspective.
Every year, graduating seniors studying with a professor in the music department have the option to perform a senior recital.
Diane, 11:30 a.m., May 21. In a few hours “Twin Peaks” will debut a third season after a 25-year absence, now as “Twin Peaks: The Return.” It would be an understatement to say that I am tense with anticipation. At moments like this, one is drawn to reflect: What was it about “Twin Peaks” that made it so special?
Honestly, I should have known how much I would dislike “Table 19” just by looking at its film poster, which is designed to look like an Instagram post.
This past Saturday and Sunday, Dartmouth’s 45th annual Powwow took place in Leede Arena. Despite the rainy weather and resulting move from the Green, the event was successful in celebrating Native American culture and excellence, promoting inclusivity and diversity and honoring veterans and Joshua Monette ’19, a native student who recently passed away.
The world-renowned production company New York Theater Workshop commemorated its quarter-century-long relationship with Dartmouth College at its annual spring gala last night at the Edison Ballroom in New York City.
This week, Dartmouth welcomes renowned music ensemble Apollo’s Fire in partnership with the Hopkins Center as part of the music department residency program.
For the past 40 years, Don Glasgo and Barbary Coast Jazz Ensemble have been practically synonymous.
Tomorrow, Hanover’s Skinny Pancake will host The Gaslight Tinkers, a popular world music group.
Students worried that the weekend after Green Key is sure to be disappointing may want to consider traveling down to Harvard University to get another outdoor music fix.
Nestled in between the parties hosted on Webster Avenue and the first-year family activities hosted by the College, the Dartmouth Rude Mechanicals performed an abridged conception of “Richard III” to an audience comprised of students and curious visiting parents in House Center B. The choice of tragedy presents an immediate challenge to an 11-member performance group: How to appropriately cast the show so that all of the central characters can be represented in the clearest light, without over-simplifying the plot.
For Lily Citrin ’17, the impulsive need to create has marked her artistic process since childhood.
The Dartmouth College Glee Club’s seniors will perform in their final concert this upcoming Sunday, when the glee club performs excerpts from Handel’s “Semele” and Haydn’s “Te Deum.” To honor this poignant occasion, glee club director Louis Burkot will place particular focus on the group’s seniors, many of whom credit the glee club with allowing them to continue to pursue their passion for classical music in college.
Saturday night’s Dartmouth College Wind Ensemble concert is the final installment in its three-part series celebrating the history of wind ensembles and the evolution of the wind band as an independent performance medium.
This afternoon, composer Molly Herron and the Tigue, an ensemble of three percussionists, will perform Herron’s composition, “Assembly” — on instruments that were invented under six months ago. This concert is the latest installment of the STEM Arts program, which focuses on the connections between art and science, technology, engineering and mathematics.
In 2011, shortly after the resignation of former Egyptian president Hosni Mubarak, Egyptian surgeon Bassem Youssef created a satirical web series in an attempt to heal his country through comedy.
Malcolm Freberg ’09 recently finished competing on “Survivor” for the third time. As a strategic, social and physical threat, Freberg was one of the show’s most popular players and was therefore brought back to play on “Survivor”: Philippines,” “Survivor: Caramoan” and “Survivor: Game Changers,” debuting on “Survivor: Philippines.”What inspired you to go out for “Survivor”?MF: “Survivor” started back when I was 14 years old.