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When one thinks of the quintessential film serial killers, several names come to mind: Jason Voorhees, Freddy Kreuger, Leatherface, etc. However, one name that definitively has secured a place among the great horror movie characters is Michael Myers, “The Shape,” who returned to the big screen in September in this year’s reboot of the 1978 horror movie classic “Halloween.”
When you have been writing and recording music since the 1960s, it should be a challenge to consistently produce new and exciting music. It should be a challenge to reinvent and reestablish yourself with each new album and single. It should be a challenge to cater to the fans you already have while simultaneously trying to appeal to more.
Starting this Friday, the Hopkins Center for the Arts will screen seven films featured at the annual Telluride Film Festival, beginning with “Can You Ever Forgive Me?” and ending on Sept. 20 with “Free Solo.”
This past weekend, "Citrus," an original choreopoem by studio art major Celeste Jennings '18, was staged at the Bentley Theater at the Hopkins Center for the Arts. "Citrus," which was produced by the theater department, details the struggles of black women in America from the mid-nineteenth century to the present day.
Eight ukulele players walk onto a stage. It sounds like the setup to a bad musical joke, but on Saturday, a sold-out crowd packed Spaulding Auditorium to see the the eight strummers of the Ukulele Orchestra of Great Britain.
Daymé Arocena walks onto the stage like a ray of light. Barefoot and dressed head-to-toe in white, Arocena finally appears on the left side of Spaulding Auditorium. Her band — comprised only of a bassist, pianist and drummer — has played up to a crescendo for the past five minutes. She steps out of the darkness with a beaming smile, and the audience claps ferociously. Her entrance seems a spectacle, a finale, yet the show is just getting started.
What do a reunited One Direction, a historical fashion show and Leo Tolstoy kissing Vladimir Lenin have in common? They were all a part of Gob Squad’s performance of “War and Peace” this past weekend at the Moore Theater.
In creating a new visual identity for Dartmouth, designers faced a difficult challenge: balance tradition and history with modernity and adaptability, and convey all this clearly to the eye. The result was a new logo, wordmark and color palette — but perhaps unsurprisingly, not everyone is a fan.
Talented students performing diverse song selections will be featured in the Dartmouth Idol Finals tonight at 8 p.m. in Spaulding Auditorium at the Hopkins Center for the Arts. Directed by Walt Cunningham and hosted by Aaron Cheese ’18 and Harrison Perkins ’18, Dartmouth Idol is a vocal competition that has become a tradition at the College, celebrating its 11th year. On Friday, the six Dartmouth Idol Finalists to perform are Kate Budney ’21, Matthew Haughey ’21, Soomin Kim ’20, Eni Oyeleye ’20, Connor Regan ’18 and Caroline Smith ’21. They were selected after the Dartmouth Idol Semifinals on Feb. 2.
This Wednesday, students will take one of the stages at the Hopkins Center for the Arts to perform “The Vagina Monologues,” an evolution of theatrical activism. “The Vagina Monologues,” written by Eve Ensler, debuted in 1996 and created a national dialogue surrounding gender in America. Through a series of episodic monologues and speeches told by women of all races, ages and sexualities, Ensler’s original work brought attention to the issue of gender-based violence and healthy modern sexuality.
Northern Stage celebrated the fifth year of its New Works Now play festival in January. This year, the premiere of a piece by a current Dartmouth student opened the festival.
This Saturday, the Hopkins Center for the Arts will host “An Evening with Barry Jenkins,” an event that brings the renowned filmmaker to campus for two hours of film clips and discussions.
Hanover’s Howe Library will begin celebrating the 21st year of Ciné Salon, a program that celebrates seldom seen films, on Monday. Seven segments will be presented through April 16. With a variety of genres, Ciné Salon will feature psychedelic LSD films and avant-garde masterpieces.
Today, Grammy Award-winning vocal ensemble Roomful of Teeth will bring its unique sound to the Hopkins Center for the Arts. Founded in 2009, Roomful of Teeth is a group of eight singers who explore a variety of vocal techniques in their pieces, including Persian classical singing, Tuvan throat singing and yodeling.
This week, Che “Rhymefest” Smith will be conducting a student workshop on campus. Smith is a Grammy-winning hip-hop artist from Chicago. He has collaborated with and written for several artists, most notably Kanye West on his song “Jesus Walks.” He is also a philanthropist, activist and politician dedicated to opening up conversations about race and youth in America.
Tonight the Hopkins Center for the Arts will show “Dawson City: Frozen Time,” a documentary about a Canadian town in the Yukon region that became a hotspot during the Klondike Gold Rush. Additionally, Dawson City rose to fame within the film industry in 1978 when old prints and reels were discovered. Directed by Bill Morrison, “Dawson City: Frozen Time” delves into the rich history of this forgotten town.
On Wednesday, Sept. 20, Northern Stage premiered its production of “A Doll’s House.” Written by Henrik Ibsen in 1879, the play follows the unraveling of a seemingly perfect marriage and is considered by many a staple piece of feminist literature despite its author’s stated ambivalance to the cause. Robert Kropf wrote this version of the play, with Eric Bunge directing.
In August, coed a cappella group the Dodecaphonics released their new EP entitled “DDX.” “DDX” is the latest in a long line of albums released by the group since the early 1990s.