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In May of 2016, Carene Mekertichyan ’16 made her dream into a reality when her senior project, a production of the late Ntozake Shange’s Obie Award-winning play and choreopoem “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” was performed for the greater Dartmouth community.
Airing in July this past summer, HBO’s “Sharp Objects,” an adaption of “Gone Girl” author Gillian Flynn’s book of the same name, sets out to remind its audience of what is unique to the identity of the Midwestern United States and what is possible within the supposedly limited format of the miniseries.
Directed by and starring Bradley Cooper, and featuring pop supernova Lady Gaga, 2018’s “A Star is Born,” a remake of William Wellman’s 1937 film of the same name, breathes new life into the music drama genre.
A masterful and satirical take on the crime drama complex that has swept the nation, Netflix’s “American Vandal” is mysterious, delectable and utterly ridiculous.
Painter Lucy Mink, whose exhibit opened on Tuesday, is this fall’s artist-in-residence. Known for her contemporary exploration and manipulation of the modernist style, Mink’s work has earned critical acclaim.. Mink is the recipient of a 2012 grant from the Pollock-Krasner Foundation in New York, and was awarded the 2007 Best of Show from the BAG Gallery in Brooklyn, New York.
Hilarious, thoughtful and unwavering, pop culture critic Michael Arceneaux’s memoir “I Can’t Date Jesus” tackles the awkward and sometimes painful realities of growing up over the course of 17 essays. A New York Times bestseller and Arceneaux’s first book, “I Can’t Date Jesus,” explores sexuality, race, religion, love and work with remarkable buoyance.
Each year, Dartmouth’s theater department allows select theater majors to undertake an honors thesis.
This year's lineup features R&B star Tinashe as the first female headliner in Green Key history, along with indie pop musicians Quinn XCII and Coast Modern.
Professor of music William Cheng's lecture “Loud Music Trial: His Music Was Not A Weapon” shares the story of the fatal shooting of unarmed black teen Jordan Davis, whose murderer claimed that Davis' “loud rap music” constituted a threat to his life.
In Kayleen Schaefer’s “Text Me When You Get Home,” released Feb. 6, the infamous words of parting friends are made into the foundation for a broader dialogue about the nature of women’s friendships, on screen and off.
In light of the failure of “A Wrinkle in Time,” the cultural importance of “Black Panther” has become all the more evident.
“Pitch Perfect” screenwriter Kay Cannon made a splash at the South by Southwest Film Festival when she became the first female director to premiere an R-rated comedy with her film “Blockers.” With the teen comedy — Cannon’s directorial debut — hitting theaters Friday, the Hopkins Center for the Arts hosted an advance screening of the film over the weekend, giving Dartmouth the opportunity to view the teen drama a week before it hits theaters.
“How We Get Free: Black Feminism and the Combahee River Collective,” edited by Princeton University professor Keeanga-Yamahtta Taylor, takes on the task of commemorating the inimitable 1977 statement made by the Combahee River Collective, a group of radical Black feminists that emerged after America’s Civil Rights era.
Independent radio and podcast producer, Laura Sim ’16 majored in English at Dartmouth and completed a thesis on race in radio and podcasts.
Friday Night Rock hosted a live concert this weekend featuring soul artist Madison McFerrin and rap artist Deem Spencer in a continuation of its efforts to bring live music to campus.
In 2017, writer and historian Erica Armstrong Dunbar published the biography “Never Caught: The Washingtons’ Relentless Pursuit Of Their Runaway Slave, Ona Judge.” Attempting to accomplish an ambitious feat, Dunbar imagines the life of Judge, a young woman who was enslaved by America’s first family but managed to escape from bondage.
On Jan. 3, Freeform debuted the first two episodes of “grown-ish,” the highly-anticipated spin-off of ABC’s “black-ish.” “grown-ish” follows Zoey (Yara Shahidi), the eldest Johnson daughter, through her freshman year of college and journey into adulthood.
In “The Uses of the Erotic: The Erotic as Power,” Black feminist writer Audre Lorde critiques the ways in which Western patriarchal societies have suppressed and falsely encouraged women’s sexual expression.
An ode to former first lady Michelle Obama, “Courage is Contagious: And Other Reasons to be Thankful for Michelle Obama” takes on the task of memorializing and honoring the legacy of Obama as a cultural icon through a collection of written reflections.
On Sunday, Oct. 29, Upper Valley television channel CATV’s sixth annual Halloween-o-thon took place on Dartmouth’s campus from 1 p.m.