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(5 hours ago)
This Saturday, the Hood museum will finally reopen after being closed for extensive renovations, but the modern architectural design isn’t the only thing that’s new. As part of the museum’s transition, the Hood has created the new position of Global Contemporary Art Curator to promote bringing thought-provoking works to campus. Newcomer Jessica Hong discusses her role at the Hood and how she hopes to make an impact on campus.
(01/23/19 7:40am)
Updated Jan. 23 at 8:22 p.m.
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Sitting in the library, surrounded by a mountain of textbooks on Theories of Government, I pull out my phone for some momentary distraction. I begin to scroll through my Instagram feed, mindlessly gazing at all of the expertly edited, effortlessly posed pictures that pop up on the screen. Sipping my cup of coffee, I pass pictures of gleaming bikini clad girls, friends clutching red solo cups and groups of attractive music festival goers. Suddenly my cup of King Arthur Flour leaves a bitter taste in my mouth. How can it be that these lives look so perfect? When do they have free time to do all these fun things? Are they actually happier than me?
(01/23/19 7:25am)
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On Monday night, comedian and social justice activist Franchesca Ramsey delivered the keynote address at the College’s 2019 Martin Luther King Jr. Celebration Feature Presentation. Over the weekend and in the upcoming weeks, Dartmouth held and will hold events ranging from presentations on topics such as mental health and sexual assault to films centered around social justice.
(01/22/19 7:15am)
All things age, Foco bananas included.
(01/22/19 7:06am)
It was a weekend of protests. While Americans turned out for the third Women’s March in three years, France saw thousands of Yellow Vest protesters rally for the 10th weekend in a row. (Make of that what you will.) The Yellow Vest protests originated in outrage toward a diesel fuel tax that French President Emmanuel Macron — the target of the protesters and, in their eyes, the embodiment of the gap between the wealthy elite and lower class — says is meant to minimize fossil-fuel use.
(01/22/19 7:00am)
Gillette, a men’s razors and shaving products brand, recently released an ad that questioned its own slogan this past Monday. In a campaign against toxic masculinity, the commercial asked consumers if “this was really the best a man can get,” calling for them to set a better example for the next generation of men. Adriana Cohen, writing at Real Clear Politics, called the ad a continuation of the “war on men.” As a member of the male community, I do not feel as if I am at war and would like to personally apologize to anyone who actually is at war for the laughably ridiculous comment. In contrast to Cohen and many others, I continue to be a supporter of free speech, and respect Gillette for risking economic consequences to make a statement, continuing the conversation about sexism and sexual assault. It is a conversation that clearly needs to continue given the extreme backlash to an ad that is far from insulting.
(01/22/19 7:25am)
The Hopkins Center for the Arts paired Ana Tijoux, a Chilean-French folk singer and rapper, with the all-female new wave “post-mariachi” band Flor de Toloache for an evening celebrating Latinx music this past Friday in Spaulding Auditorium.
(01/22/19 8:05am)
Due to Hanover’s chilly temperatures and fewer outdoor activity options, winter term means extended hours for campus facilities such as the Alumni Gym. On Fridays, Saturdays and Sundays, the gym stays open for an extra hour until 10 p.m., as opposed to 9 p.m. during the fall, spring and summer terms.
(01/22/19 8:15am)
The current border wall between the U.S. and Mexico — constructed over the last 13 years under the Secure Fence Act of 2006 — barely affects migration patterns between the two countries and harms the U.S. economy, according to a working paper recently published by Dartmouth professor of economics Treb Allen and his colleagues at Stanford University.
(01/22/19 8:10am)
Vaccines were first introduced two centuries ago as a disease prevention mechanism. Since then, medical professionals have used them routinely for their consistently safe and beneficial effects. However, recent research by mathematics professor Feng Fu and graduate student Xingru Chen has demonstrated that decreasing vaccination rates in developed countries are worsened by the hysteresis effect.
(01/22/19 8:00am)
Russian professor Lynn Patyk believes that things that appear to be unambiguous moral evils — like terrorism — are more complicated than we make them out to be. Her research focuses on the ways in which modern terrorism has been shaped by literary narratives. In her first-year seminar, Russian 7.01 “Who is the Terrorist?” and Russian 10, “Russian Civilization,” Patyk teaches how “early thinkers” like Russian authors Mikhail Bulgakov and Fyodor Dostoevsky can shed light on Russia’s political ethos. She aims to trace terrorism back to its earliest roots — a mode of popular dissent.
(01/22/19 7:35am)
“Aquaman” is the sixth film in the DC Extended Universe, following on the heels of four films that range from mediocre to atrocious (“Man of Steel,” “Batman v. Superman,” “Suicide Squad,” “Justice League”) and one of the best superhero films not just of the last decade but of all time (“Wonder Woman”). Unsurprisingly, the overall abysmal quality of the franchise has led countless think pieces to ponder how it might be fixed. While I profess to be no authority, I’ve always found that solutions demanding the original director’s cut of “Justice League” or advocating for an alternate-universe reboot both miss precisely what made Wonder Woman” exceptional.
(01/22/19 7:30am)
Here’s a disclaimer: the first season of “True Detective” is my favorite season of television ever made. Starring Matthew McConaughey and Woody Harrelson, the first eight-episode iteration of HBO’s crime anthology series is a near-perfect evaluation of human character in the face of death, evil and chaos. Though the writing is at times heavy-handed and the subtle undercurrent of complicated mysticism never really comes to fruition, that first season is still an engrossing masterwork of intrigue and filmmaking. McConaughey and Harrelson give career-best performances, Nic Pizzolatto’s writing takes brilliant, unexpected turns, and Cary Joji Fukunaga’s sumptuous filmmaking pulls viewers into the Louisiana bayou and doesn’t let them go. After the first season’s final episode left me clutching my head in awed disbelief, I eagerly awaited the show’s second season, only to be left in utter disappointment.
