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(14 hours ago)
When I returned home for the winter holidays this past November, my parents announced on the drive back from the airport that we were moving out of the home we had lived in for the last 14 years. I reacted as anyone might after an abrupt announcement that they were losing their childhood home: nervous laughter, and then an incredulous “What?”
(13 hours ago)
Music and performing arts librarian Memory Apata, who has been working at the College for only three years, is already head of the Paddock Music Library in the Hopkins Center for the Arts. Apata, the first to attend college in her family, double majored in vocal performance and German at the University of Arkansas at Little Rock. She now works as a professional musician and performer and is also pursuing a Master of Arts in Liberal Studies at Dartmouth and a Master of Science in Library and Information Science at Simmons College.
My inner monologue goes something like this. “Get over it! Twilight came out 10 years ago. Wait — am I really that old?” Yes, Twilight the movie came out in 2008; 10 years, one English major and several French New Extremist films later, and I still am a Twi-hard. I enjoy Claire Denis’ “Trouble Every Day” as much as the next girl, or as much as the next girl who really wants people to know she has “good taste” in films. But there is something to be said for the unrelenting melodrama of a film like “Twilight.” One thing that many feminists and blatant misogynists can agree on is that, put simply, “Twilight” is trash. I do not think “Twilight” is so easy to hate because it is corny; many campy teen or kid flicks are met with little hate, such as the “Harry Potter” series and the television series “The Big Bang Theory.” “Twilight” gets hate because of the way it confronts the reality of emotion. “Twilight” certainly is no feminist rallying call, but the hate it receives makes evident how people (especially women) are stigmatized for embracing their feelings. The growing popularity of auteur culture led to an overvaluing of intellectual control over emotional vulnerability. But pop culture representations of love, in the broadest sense of the word, remind us to forget about being cool; instead, it acknowledges that idealistic emotion can be cheesy and politically problematic, but can bring people together through a now-rare idealism.
The College has had many milestones and avoided many others in its long history.
There’s an image in Lee Chang-dong’s “Burning” that I still see when I close my eyes at night: a little boy approaches a burning greenhouse. He is inexplicably dripping wet — with water? with gasoline? — and he stares at the flames in a trance.
For a movie about drugs and cartels that was inspired by a New York Times article by Nick Schenk, Clint Eastwood’s “The Mule,” is surprisingly dull, revealing nothing new with surface-level characters far below the capability of their actors.. Eastwood plays Earl Stone, a down-on-his luck former daylily horticulturist who becomes a drug runner, or mule, for a cartel in Illinois. Bradley Cooper plays Colin Bates, the FBI agent tasked with tracking the massive shipments of drugs into Chicago. Taissa Farminga plays Stone’s granddaughter, Ginny. Farminga’s portrayal is sophomoric, and her emotional scenes are unconvincing. When she calls Stone to tell him that his ex-wife is dying, Farmings uses acting class-techniques to touch her face and exasperatedly say, “I can’t believe this.”
(13 hours ago)
Jake Sullivan, a former top advisor in the Obama Administration, participated in a conversation Wednesday with Ambassador Daniel Benjamin, the director of the Dickey Center for International Understanding, in Filene Auditorium.
(13 hours ago)
On Jan. 2, House Bill 101 — which would allow school districts to regulate firearms in school zones — was introduced by seven Democrats in the New Hampshire House of Representatives.
Updated Jan. 16, 2019 at 11:56 p.m.
Kirsten Gillibrand ’88 entered the 2020 presidential race on Jan. 15.
Milestones. Sometimes, milestones are a good thing — who can forget the joy of their first day of starting college, of a baby’s first “mama,” of buying one’s first apartment?
When we think of the milestones, most people think of birthdays, graduation, marriage — significant and recognizable turning points in our lives. Milestones, good or bad, are often celebrated with community, be it for a wedding or funeral. However, one notable life change is often marked by isolation rather than celebration: divorce. Is marriage really a more significant change in people’s lives than divorce? If not, why is one announced in newspapers, celebrated with one’s community, while the other is finalized by one’s signature?
This year is all about celebrations on campus. With the 250th anniversary of our college, Dartmouth students and alumni are celebrating an event dear to their hearts. The celebration of Dartmouth’s milestone pops up amongst the many celebrations ccelebrated on campus — different days with meaning for different people.
My older brother taught me many valuable life lessons: which words not to say in front of my parents, how to climb every tree in our backyard and the correct way to change lanes on a highway. Something he failed to pass on to me, however, was his hatred of birthdays.
1769 College Charter signed, establishing Dartmouth as the ninth college in the United States
My shelves at home are filled with journals, some dating back to elementary school. I no longer write about love triangles exposed on the playground, but the need to record my life has stayed with me. I feel like if I don’t write down the things that seem like milestones to me, I’ll lose part of myself to the past.
The College’s 250th anniversary celebrations have already begun, and among the concerts, free food and green-lit photo ops that some students have had the opportunity to enjoy, there is another aspect of the celebration perhaps more relevant to the Dartmouth student experience: special 250th anniversary courses.