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Dartmouth Outing Club First-Year Trips director Maddy Waters ’19 and assistant director Dorothy Qu ’19 announced the 2019 Trips directorate on Friday morning.
Around 70 members of the Dartmouth community crowded into Spaulding Auditorium on Jan. 16 for the quarterly town hall meeting. Executive vice president Rick Mills led the discussion, which focused on the new Campus Climate and Culture Initiative — or C3I — and the College’s 250th anniversary celebrations. The next town hall will be held on Mar. 27 and will cover the College’s plan to build a new biomass power plant and the expansion of graduate housing in Lebanon. The 250th celebration co-chairs — Vice President for Alumni Relations Cheryl Bascomb ’82 and English professor Donald Pease — and Title IX coordinator Kristi Clemens joined him to address items on the agenda.
Former interim College President Carol Folt announced her resignation from her position as chancellor of the University of North Carolina at Chapel Hill on Monday. Folt also announced that she had ordered the removal of a Confederate statue on campus out of safety concerns.
Following a long delay, construction officially began this past Monday on a new building on campus. Contractors began laying down hardpack to allow for the movement of heavy vehicles for the 70,000-square-foot indoor athletic facility to be located near Thompson Arena and Burnham Field, adjacent to the Boss Tennis Center.
Some of the College’s most scenic trails will be closed as trees are removed to improve the health of the century-old and dying Pine Park. The project is set to start at the beginning of February if weather conditions hold and will last two to four weeks, according to associate director of Facilities Operation and Management Tim McNamara ’78 A&S ’12.
The Dartmouth women’s swimming team hasn’t been much of a contender in the Ivy League in the past few seasons, but a strong freshman class and a solid start to the 2018-19 season provide significant optimism for the future of the program.
On campus these days, it’s hard not to notice the grandiose energy that Dartmouth’s 250th anniversary has ignited. The festivities launched on Jan. 10 with speeches by College President Phil Hanlon and the 250th co-chairs, vice president for alumni relations Cheryl Bascomb ’82 and English professor Donald Pease, in the lobby of Baker Library. A new initiative, the Call to Serve, was announced, setting a goal for the Dartmouth community to achieve 250,000 hours of community service by the end of the year. In the spirit of the liberal arts, eight new courses and 20 symposia have been created to foster reflection amongst the community on Dartmouth’s past and future. Exhibitions, projects and performances under this same theme abound for the rest of the year. And very soon, the long-awaited opening of the newly renovated Hood Museum of Art will bring in a year of special programming and exhibits to continue the celebration.
Breaking news! Donald Trump is at his Mar-A-Largo Club. Breaking news! Donald Trump is serving NFL players fast food. Breaking news!
Cold times call for desperate measures.
When I returned home for the winter holidays this past November, my parents announced on the drive back from the airport that we were moving out of the home we had lived in for the last 14 years. I reacted as anyone might after an abrupt announcement that they were losing their childhood home: nervous laughter, and then an incredulous “What?”
Music and performing arts librarian Memory Apata, who has been working at the College for only three years, is already head of the Paddock Music Library in the Hopkins Center for the Arts. Apata, the first to attend college in her family, double majored in vocal performance and German at the University of Arkansas at Little Rock. She now works as a professional musician and performer and is also pursuing a Master of Arts in Liberal Studies at Dartmouth and a Master of Science in Library and Information Science at Simmons College.
My inner monologue goes something like this. “Get over it! Twilight came out 10 years ago. Wait — am I really that old?” Yes, Twilight the movie came out in 2008; 10 years, one English major and several French New Extremist films later, and I still am a Twi-hard. I enjoy Claire Denis’ “Trouble Every Day” as much as the next girl, or as much as the next girl who really wants people to know she has “good taste” in films. But there is something to be said for the unrelenting melodrama of a film like “Twilight.” One thing that many feminists and blatant misogynists can agree on is that, put simply, “Twilight” is trash. I do not think “Twilight” is so easy to hate because it is corny; many campy teen or kid flicks are met with little hate, such as the “Harry Potter” series and the television series “The Big Bang Theory.” “Twilight” gets hate because of the way it confronts the reality of emotion. “Twilight” certainly is no feminist rallying call, but the hate it receives makes evident how people (especially women) are stigmatized for embracing their feelings. The growing popularity of auteur culture led to an overvaluing of intellectual control over emotional vulnerability. But pop culture representations of love, in the broadest sense of the word, remind us to forget about being cool; instead, it acknowledges that idealistic emotion can be cheesy and politically problematic, but can bring people together through a now-rare idealism.
The College has had many milestones and avoided many others in its long history.
There’s an image in Lee Chang-dong’s “Burning” that I still see when I close my eyes at night: a little boy approaches a burning greenhouse. He is inexplicably dripping wet — with water? with gasoline? — and he stares at the flames in a trance.
For a movie about drugs and cartels that was inspired by a New York Times article by Nick Schenk, Clint Eastwood’s “The Mule,” is surprisingly dull, revealing nothing new with surface-level characters far below the capability of their actors.. Eastwood plays Earl Stone, a down-on-his luck former daylily horticulturist who becomes a drug runner, or mule, for a cartel in Illinois. Bradley Cooper plays Colin Bates, the FBI agent tasked with tracking the massive shipments of drugs into Chicago. Taissa Farminga plays Stone’s granddaughter, Ginny. Farminga’s portrayal is sophomoric, and her emotional scenes are unconvincing. When she calls Stone to tell him that his ex-wife is dying, Farmings uses acting class-techniques to touch her face and exasperatedly say, “I can’t believe this.”
Jake Sullivan, a former top advisor in the Obama Administration, participated in a conversation Wednesday with Ambassador Daniel Benjamin, the director of the Dickey Center for International Understanding, in Filene Auditorium.
On Jan. 2, House Bill 101 — which would allow school districts to regulate firearms in school zones — was introduced by seven Democrats in the New Hampshire House of Representatives.
