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As a film, “The Big Sick” is an unconventional addition to a long tradition of romantic comedies with memorable protagonists that include the likes of “When Harry Met Sally,” “Bridget Jones’s Diary” and “Notting Hill.” Kumail Nanjiani stars as Kumail, a character based on his early life as a standup comic who falls in love with psychology graduate student and quintessential girl next door, Emily, a somewhat underutilized Zoe Kazan, who is based on Nanjiani’s wife in real life, Emily Gordon.
The Vietnam War doesn’t fit neatly into American folklore.
When we first received an email from Boston Calling’s production team inquiring about sending media representatives to cover the music festival’s 2017 event, we thought we were being scammed.
In this era of sequels, reboots and remakes, who would have thought that “Trainspotting” would get a second chance to shine.
Diane, 11:30 a.m., May 21. In a few hours “Twin Peaks” will debut a third season after a 25-year absence, now as “Twin Peaks: The Return.” It would be an understatement to say that I am tense with anticipation. At moments like this, one is drawn to reflect: What was it about “Twin Peaks” that made it so special?
Honestly, I should have known how much I would dislike “Table 19” just by looking at its film poster, which is designed to look like an Instagram post.
This week, Dartmouth welcomes renowned music ensemble Apollo’s Fire in partnership with the Hopkins Center as part of the music department residency program.
Nestled in between the parties hosted on Webster Avenue and the first-year family activities hosted by the College, the Dartmouth Rude Mechanicals performed an abridged conception of “Richard III” to an audience comprised of students and curious visiting parents in House Center B. The choice of tragedy presents an immediate challenge to an 11-member performance group: How to appropriately cast the show so that all of the central characters can be represented in the clearest light, without over-simplifying the plot.
“The Lost City of Z” is one of the most confounding cinematic experiences I’ve had in some time.
This afternoon, composer Molly Herron and the Tigue, an ensemble of three percussionists, will perform Herron’s composition, “Assembly” — on instruments that were invented under six months ago. This concert is the latest installment of the STEM Arts program, which focuses on the connections between art and science, technology, engineering and mathematics.
In 2011, shortly after the resignation of former Egyptian president Hosni Mubarak, Egyptian surgeon Bassem Youssef created a satirical web series in an attempt to heal his country through comedy.
“I Am Where I Come From: Native American College Students and Graduates Tell Their Life Stories,” edited by education professor emeritus Andrew Garrod, Native American studies professor Melanie Benson Taylor and Robert Kilkenny, executive director of the Alliance for Inclusion and Prevention, details the stories of 13 Native American students who currently attend or recently graduated from Dartmouth.
“The Leftovers” may currently be in the middle of its third and final season, yet I find it no easier to describe the show now than I did when it first started.
“Gifted” will be the third consecutive film that I’ve given a negative rating. I want to make it absolutely clear that I don’t enjoy that fact in the slightest. Roger Ebert, the grandfather of film criticism and one of my key inspirations, wrote in his book, “Your Movie Sucks,” the following: “Some of these reviews were written in joyous zeal.
Like the film I reviewed last week, “Ghost in the Shell” is a live-action remake of an animated classic.
Walt Disney Studios’ new live-action remake of “Beauty and the Beast” is undoubtedly one of the year’s most anticipated films.
“More Life. More time with family and friends. More Life. I’ve still got vibrations to send.
Many film reviewers, myself included, would argue that we are currently in the midst of a “golden age” of superhero cinema.
“Get Out” begins with a beautiful, stylistic long take following an African-American man trying to navigate a suburban neighborhood in the middle of the night.
After last year’s “Oscars So White” controversy, I didn’t think a more uncomfortable Oscar ceremony would be possible.